Forward to a Colleague
September 11, 2006
I'm Sorry Kevin Smith, or How I Moved to Milwaukee, Got Cable Television and Re-evaluated Everything I'd Come To Believe (Including Some Things About Safe Men)
From Chicago, this is The Dope Sheet ... I'm Sam Van Hallgren.

Yes, it's true, I live in Milwaukee now. In fact, I moved to the Brew City from Chicago in late May in anticipation of my August wedding. I think Adam and I were nervous about mentioning it on the show because people's loose grasp on the geography of the Midwest (including my own) might lead them to conclude that the show was doomed. Turns out Milwaukee is only a 90 minute train ride to Chicago. Just about the same amount of time it would take me to get to Adam's house in the Chicago suburbs when I was living in the city's north side.

The decision to move to Milwaukee was an easy one to make because Carrie got a great job as Managing Director of Milwaukee Shakespeare; and with This American Life having made the move to New York, I was out of a job. Also -- and you're just going to have to take my word for it -- Milwaukee aka Mil-ROCK-ee is one of the best cities on the planet Earth. I'm not going to waste your time by going into specifics, but trust me, it's totally, ah, Vantastic. (OK, for one, I live within walking distance of not one, but TWO, Landmark Theatres.)

Yes, and with the move to Milwaukee came cable television. The first time I've ever had cable television in my life. I'm nearly 32 years old. And Ira Glass gave me a Tivo before I left This American Life, because that's the kind of great boss he is. And with TCM, AMC, IFC and Comedy Central at my disposal, I was suddenly in a position to right 30 years of cinematic wrongs. And I started The Great Re-Evaluation with Kevin Smith's "Dogma" -- Available on Peerflix. During our review of "Clerks 2" (Filmspotting #115), I think I mentioned that prior to the Clerks sequel, my cumulative experience with the films of Kevin Smith amounted to a viewing of the original Clerks and the first 15 minutes of "Dogma." Those first 15 minutes of "Dogma" however many years ago drove me completely BATS. Pretentious, awkward, badly acted -- I remember being shocked by how bad it was.

And I don't know what kind of spell "Clerks 2" cast on me, but when I sat down in front of "Dogma" a couple of weeks ago, I totally fell for it -- and this was the edited-for-television Comedy Central version! Not everything worked, but I really responded to the spirit (if not always the specifics) of Smith's observations and criticisms of organized religion, as well as his feelings about faith and belief in God. It's rare to see a movie that deals with these issues in such a personal way, and I not only respected him for doing it, I genuinely enjoyed the movie and (most of) the performances. I think Linda Fiorentino is saddled with a really tough part that forces her to ask a lot of questions that allows the supporting cast to rattle off a lot of the (yes, kind of clumsy) exposition, and she never really looks comfortable doing it.

In fact, I liked it so much I'm naming it my Overlooked DVD Pick of the Week. Or, if you've already seen "Dogma" and you've made up your mind about it (one way or another), rent a movie you've always meant to give another chance. Let me know what you picked and how it felt to revisit it. Another one on my "to re-evaluate" list that Adam and I will mention briefly on this week's show: "Dead Poets Society." Saw it when I was 17 and loved it. Saw it when I was 25 and hated it. At 32? I'm curious.

And finally: "Safe Men." I named it an Overlooked DVD pick many months ago ... when it wasn't even on DVD. And I made a little fuss about it when it finally was released on DVD a couple of weeks ago. Well, IFC had it on last weekend and I Tivo'd it. On last week's show, I made fun of Adam's love for "Jesus Christ Superstar," which I had also Tivo'd. Well, the full story is that Carrie and I were watching "Jesus Christ Superstar," but it was late and JCS was just a little too ... far out, man ... to keep our attention. So I suggested that we give "Safe Men" a try. Carrie had never seen it. I hadn't seen it in probably three years, but (obviously) my memories of it were fond ones. We got through ten minutes of it. I'm chuckling, but Carrie's not laughing at all. And she's falling asleep. And I'll admit it: it wasn't as funny as I remember it. And Steve Zahn is kind of bad in it. But I still say that Sam Rockwell and Paul Giamatti and Mark Ruffalo and the movie's dumb plot and quirky dialogue make it worth checking out. And ... it may not hurt to have a couple of beers before your watch it. Or sloe gin fizzes. Whatever your preference.

[Note from Adam: Finally caught up with "Safe Men" myself last week thanks to IFC. I can definitely see how someone can watch it and not laugh at a single thing ... but Sam's ultimately right. Giamatti, Rockwell and Ruffalo, plus Michael Lerner as Jewish mobster Big Fat Bernie Gale, are so hilarious that it's a must-see. My favorite exchange in the whole film:

Sam (Rockwell): And who am I speaking with?
Bernie Gale Jr.: This is Big Fat Bernie Gale Jr.
Sam: Oh hello, Little Big Fat.]

Adam's Rib: The Remake
I originally recorded this on episode #122 when we discussed "Adam's Rib" as part of the Screwball Comedies Marathon ... but the show was running a little long (whatever that means) and we realized it really wasn't going to make any sense to people who hadn't seen the original, so we cut it.

Basically, it's the result of a conversation that my wife Carrie and I had a couple Friday nights ago over dinner. We'd just watched "Adam's Rib" the night before and I'd been trying all day to think of modern films that shared "Rib's" sensibility. Not just the chemistry between Tracy and Hepburn, but the way Cukor and his screenwriters so successfully combined social commentary and broad comedy.

My question to her: how would they make "Adam's Rib" today? Could they?

Below is the answer we came up with. A remake of "Adam's Rib," complete with casting. Instead of a movie about equal rights for women, we made it a movie about equal rights for homosexuals.

Adam's Rib 2006

The Story
David Attinger (John C Reilly) is a popular big market sportscaster. Also, he's just come out of the closet. Fearing that he will lose custody of his kids in the impending divorce, Reilly takes his kids (Ashley, Ryan and Dakota) and his new boyfriend (Steve Carrell) to "a place that likes people like us." The Netherlands. His wife (Tea Leoni) has threatened that she will NEVER let "a gay" raise her kids. The anchor on Reilly's newscast (Will Ferrell) announces Reilly's sudden trip to The Netherlands ("or as some people call it, Holland ... maybe he'll try on some wooden shoes while he's there").

'Life Partners' Adam and Austin (Dustin Hoffman and John Michael Higgins) are watching the morning news when they hear the report that Reilly has "kidnapped" his kids. Higgins is trying to get Hoffman out of bed. "Good for him," says Higgins. Hoffman is an assistant district attorney; Higgins a defense attorney. When Hoffman gets to work the next morning, he learns that he has been assigned the case -- Reilly has been arrested for kidnapping his own kids and is being extradited back to the United States. Higgins decides that the case is a perfect showcase for denying homosexuals equal rights before the law. Higgins and his stenographer (Topher Grace) visit Reilly in prison ...

Also, Hoffman and Higgins have a next door neighbor, Kit Lurie (Mary Louise Parker), a good friend of Higgins' who completely annoys Hoffman. She's a folk singer/song-writer who wears sexy camisole tops and tight jeans. She flirts with Higgins and writes songs about him, one of which takes off in popularity when it's posted on Parker's MySpace page.

Additional Cast Members:
The presiding judge in the case: Alec Baldwin.
The Dutch police officer who arrests Reilly and Carrell at the airport in The Netherlands: Sacha Baron Cohen
The three gay defense witnesses that Higgins calls to the stand to prove that not all homosexuals fit stereotypes: Vince Vaughn as super-cool Gay Foster Parent; Steve Buscemi as an unkempt gay; Mark Wahlberg or Luke Wilson as the All-Pro Gay Football Player; and Owen Wilson as himself ... a straight guy who just kind of likes and admires gay people and wonders what it would be like to be gay ...
Ben Stiller plays the juror who admits to being homophobic when questioned by Higgins during jury selection ...

Working title of the movie?
Adam's Wrist

Director: Peyton Reed. With Mike Nichols and Elaine May as executive producers and consultants.

Any screenwriters out there want to take a crack at it?

Merge Music
We know that Filmspotting isn't about the music, but Adam and I are really excited about the new partnership with Merge Records. They have lots of great bands. Check out their roster -- or the roster of any one of our label partners -- and let us know if there's a band you'd like to hear on Filmspotting.

Peerflix Giveaway: Star Wars
Sign up for a free Peerflix account now and you'll be entered to win Star Wars IV - A New Hope (2-disc Widescreen Edition), out this week on DVD. The winner will be announced on Filmspotting #125 next week. The winner of Brazil: Criterion Collection will be announced on our blog, filmspotting.net, this Wednesday.

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Dope Sheet
n. Slang.
A list of scenes from the script that have already been filmed, or a list of the contents of an exposed reel of film stock.


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